On the bus, with the gear

mignoni_bus_driver

I am doing another series on issues in the upcoming presidential elections.  This time, the issues are people with disabilities(Nacho’s killer photo from yesterday,) living conditions, and transportation.  Today I went to a bus depot at the far end of town.  With a colleague, Nicolás Alcalde, I interviewed a bus driver.  Then we rode with him on part of his route.

In Santiago, I’ve had to rethink the gear I bring with me or how I bring it.  I am in the safest city in South America.  Yet, I hear stories, constantly of theft.  People walking down the street in central have gold chains ripped off their necks.  A colleague’s brother had his headphones stolen on a bus while they were on his head.  I don’t bring Nacho’s 5D MarkII with me if we are not together, going to a known location.  I carry only one body.  It’s heaps harder to grab something when it’s in one’s hands.  I only bring my 70-200 if I’m certain I’ll be in a situation where I can use it.  I’ve ripped the Canon logo off my backpack and taped over the brand and spec markings on my video camera.  A piece of advice I got from a photojournalist with La Tercera was stick with the crowd of photojournalists when you’re shooting.  But the things I am covering don’t have crowds of photojournalists covering them.

I honestly don’t know how dangerous it is.  But, I’m not at a point where I can afford to lose any of my gear and I’m not going to take unnecessary risks.  Today, I traveled light. I brought the Canon 5D with a 16-35, my Sony Handicam (HDR-SR11), a gorilla pod, a set of headphones, and a stick mic, in an old blue, Iberian Airlines small messenger size bag.  I didn’t even bring my phone.  I didn’t know where I was going to be. In fact, the bus was traveling through one of the more dangerous neighborhoods in the city.  When I would focus on stills, Nicolas would kindly offer to stash the other camera.  When we departed with crowds all around, he said that I should put the cameras away.  But, I needed some images of the crowds at the bus stop.  So I took it the footage I needed and then stashed the goods.

mignoni_bus_scene

I don’t shoot with a 16-35 often.  I worry that this makes me a bad photographer.  It does have to be admitted that the 16-35 on a 5D is full frame wide.  I began shooting in Patagonia with Nacho’s 24-70, and I find this more comfortable.  I have greater reach and I’m able to give my subjects more personal space.  Knowing that I’d be on the bus, I decided to use the 16-35.  It was 100% the right choice, as most of the time, the people were packed in and I was standing on assorted bus ledges.  I also really enjoyed the look.  I think I’ll be revisiting it in the future soon.

Share and Enjoy:
  • Print
  • Digg
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • StumbleUpon
  • RSS
  • Twitter

Leave a Reply

You must be logged in to post a comment.